A Practice for Everyday Life (APFEL) has worked with architectural studio Carmody Groarke on the exhibition design for Bauhaus: Art as Life which opened at the Barbican Art Gallery the past week in London.

The show, which runs until August 12, contains over 400 works from the most prestigious and extensive Bauhaus collections in the world and looks to provide and in-depth exploration of the school’s 14 year history, focusing on the lives of its students and staff and the community they created. (via Creative Review)




In the late 20th century, medicines became big business, with marketing budgets to match. Pharma, a new exhibition at the Herb Lubalin Study Center in New York, will look at the role of Big Pharma in the evolution of graphic design and advertising. Pharma is open from November 1 to December 2, 2011. Herb Lubalin created some of his most influential work while working for Sudler & Hennessey, an advertising agency which specialised in pharmaceutical marketing. He was not alone. Other design and advertising  luminaires, including Franco Grignani, Lester Beall, Paul Rand and Will Burstin, all worked for drugs companies. Some of the leading examples of this new marketing sector will be displayed at Pharma. Intriguing stuff.


Illustrator Serge Seidlitz first London solo show is now open at the Coningsby gallery. The exhibition includes original drawings, screenprints, zines, T-shirts and also a number of hand-woven Nepalese rugs sporting Seidlitz’s work. The show, entitled Serge vs Spaceship Earth, runs until November 4 at The Coningsby Gallery, 30 Tottenham Street, London W1T 4RJ.


Artist Nigel Waymouth’s mind expanding poster work of the 1960s is set to fill the Idea Generation Gallery in the retrospective, Hapshash Takes A Trip, in London next month Waymouth formed the creative partnership, Hapshash and the Coloured Coat, with fellow designer Michael English and the studio went on to create some of the high points of British psychedelia in their work for events and concerts, in particular for the famous UFO Club in London. The pair met in 1966 when both were involved in creating murals for shops. English was working on the shopfront of Hung On You, while Waymouth was creating the exterior art for his boutique Granny Takes A Trip, on London’s Kings Road, which he had opened with artists John Pearse and Sheila Cohen. A year later Hapshash was formed.

Joe Boyd, owner of the UFO Club, acknowledged the example being set in San Francisco where clubs and venues would commission artists to make posters for upcoming gigs; the screenprints were also frequently given away to audience members on the night. Many of the posters were designed to be largely illegible to those not prepared to stand and read them – thus the artists could get away with including explicit elements, subversive codes and messages. This of course carried within it an implicit feature of the modern rock poster: if you can’t decipher it, it’s probably not for you.

The Idea Generation show, entitled Hapshash Takes A Trip, will incorporate several pieces from Waymouth’s own archives and, in addition to the Hapshash posters, will feature original acetates, drawings, album covers, photographs and mementos. The exhibition opens on September 9 and runs until October 2 at the Idea Generation Gallery, 11 Chance Street, London E2 7JB. More at ideageneration.co.uk. (via Creative Review)

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