May 2023


The wonderful Aïssa Maïga. She is a Senegal-born French actress, director, writer, producer, and activist. #AïssaMaïga

Great band back in the days. Photo by MCA/Chris Walter/Getty Images #LynyrdSkynyrd

Photo by Stephen Wright. #TheSmiths #StephenWright

Rest in peace Andy Rourke, the bassist and founding member of The Smiths. Photo by Redferns. #andyrourke #thesmiths #redferns

Sentaro (Masatoshi Nagase) is a middle-aged man who runs a small dorayaki shop in the outskirts of Tokyo. The shop is frequented by locals and secondary-school pupils alike. When he puts up a notice saying that he is looking for a co-worker, he is approached by Tokue (Kirin Kiki), a lady in her mid-seventies, who states that she has always wanted to work in a dorayaki shop. Sentaro initially rejects her application, afraid that the work would prove too much for the old lady who, moreover, has somewhat deformed hands. However, he is swayed when he tries Tokue’s bean paste; its taste and texture are far superior to that of the factory-made bean paste Sentaro has been using. Sentaro asks Tokue to start making bean paste with him, revealing that up until now, he did not actually like his own product. Business begins to thrive, and very soon Tokue also starts serving customers and packaging dorayaki. However, when customers realize that the deformities to Tokue’s hand were caused by leprosy, they stop coming, and Sentaro is forced to let her go. Wakana (Kyara Uchida), a school girl whom Sentaro has befriended, eventually suggests that they go and visit Tokue at the sanatorium where she and other patients were forced to stay until the 1996 repeal of the 1953 Leprosy Prevention Law. Sentaro feels guilty that he was not able to protect Tokue against the prejudice of their customers, but she assures him that she is grateful for the time she was allowed to spend at the shop…

The film was a “Critic’s Pick” by The New York Times, with the Times’ Glenn Kenny scoring it at 90 out of 100, writing that “The movie, beautifully shot and acted, earns its ultimate sense of hope by confronting real heartbreak head-on, and with compassion”. The Guardian‘s film critic Peter Bradshaw scored the film at 2 out of 5 stars, writing that “Despite some touching moments, and earnest performances, I must confess to feeling exasperated by the sentimentality and stereotype being served up”. The film earned actress Kirin Kiki the Best Performance by an Actress award at the 2015 Asia Pacific Screen Awards. (via Wikipedia)

This film truly moved me in so many ways I haven´t been moved for a long time by a film. I was not expecting that this film would move me so much and it came from nowhere. It´s a beautiful and tragic film about struggle, freedom, sadness, happiness, joy, friendship and the will to live and be seen for who you are. As Deborah Young writes, “The undercurrent that runs through the film is a message to learn from nature and enjoy the wonder of life moment by moment, no matter what hard knocks you’re dealt”. As Tokue stresses in the film that a person’s worth lies not in their career, but simply in their being, and also that joy comes from taking in the sensory experiences of the world that surrounds us. Kirin Kiki is simply fantastic as Tokue (rest in peace) and the same goes for Masatoshi Nagase as Sentaro. I saw my Mom somehow in Tokue (both in her character and what she experienced in real life) and it really made me extremely emotional. I simply cried during the second half of the film and I couldn´t stop. I miss my Mom as much as Sentaro and Wakana miss Tokue when she has passed. “Sweet Bean” is fine piece of film to me and I warmly recommend it.

4 out of 5

Just LOVE this. #NikiandTheDove

Can´t wait to see it…. #DUNEPartTwo

Finally new stuff from The Hives! A new album is on it´s way. #TheHives